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quilts: Untitled Crazy Quilt

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Untitled Crazy Quilt
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Notes

table of contents
  1. Section 1: Our Ancestors' Dreams
    1. Stars and Strips
    2. Harriet, Our Spy
    3. Harriet Tubman
    4. We, Too, Sing America
    5. Devotion to Freedom
    6. Mourning Quilt
    7. Som Bra (Come Home)
    8. One Hundred Years of Black Style at Barnard
      1. ZORA! For B.O.S.S.
    9. Always Light
    10. Unreasonable Overreaction Unjustified
    11. The Needle Tells the Story
  2. Section 2: Homeplace Dreams
    1. Black Dresses
    2. Crazy Quilt
    3. Q is for Quandra
    4. Red & White Sample FINALLY
    5. Cora Musician
    6. Liberated Year
  3. Section 3: Dearming Other Worlds
    1. Mermaid Party: A Celebration of Fernand Pierre
    2. Bajan Mermaid
    3. Sea Dragon
    4. Baliwood
    5. Gone Fishing
  4. Section 4: The Story We Sew
    1. Untitled 1
    2. Untitled 2
    3. Untitled 3
    4. The Story We Sew: Community Quilt
  5. Videos

Untitled Crazy Quilt

Artist:

Kim F. Hall.

Hand sewn and embroidered with a variety of commercial fabrics. Velvet border, satin backing.


Year:

1992


Dimensions:

92H x 72.5W



Kim F. Hall: I can't remember when I started embroidery, but I did a lot of crafts as a kid and was often gifted craft kits and supplies. Our neighbor, a Home Economics teacher, gave me a terrific book with a variety of embroidery stitches. When I came across a quilt magazine with crazy quilt instructions (I suspect crazy quilts might have had a renaissance in the 1970s/80s), I saw an opportunity to practice fancier stitches. My mom has always made clothes for family and friends and at various times had a side business as a clothing designer, so I had access to lots of the fancier fabrics used in traditional crazy quilts.


I worked on this quilt throughout college and graduate school, but lost the magazine in the middle of making the quilt. I had never seen a crazy quilt in person and didn't have the online resources we have now, so I didn't realize it was OK for the individual block lines to show. This meant that the quilt took much longer than it should have because eventually I couldn't work on it piecemeal.


But misunderstanding the quilt structure gave me the opportunity to use bigger textile pieces that have meaning for me. The quilt includes a piece of favorite jeans I had embroidered, dresser scarves embroidered by my grandmothers, a cross-stitched unicorn I got as part of a Secret Santa in college and other items. The maroon velvet border and pink satin backing were leftover from my aunt's wedding. I recently read about an 80 year old quilter who kept adding items to her crazy quilt and I've begun to do the same.



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