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quilts: Harriet Tubman

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Harriet Tubman
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Notes

table of contents
  1. Section 1: Our Ancestors' Dreams
    1. Stars and Strips
    2. Harriet, Our Spy
    3. Harriet Tubman
    4. We, Too, Sing America
    5. Devotion to Freedom
    6. Mourning Quilt
    7. Som Bra (Come Home)
    8. One Hundred Years of Black Style at Barnard
      1. ZORA! For B.O.S.S.
    9. Always Light
    10. Unreasonable Overreaction Unjustified
    11. The Needle Tells the Story
  2. Section 2: Homeplace Dreams
    1. Black Dresses
    2. Crazy Quilt
    3. Q is for Quandra
    4. Red & White Sample FINALLY
    5. Cora Musician
    6. Liberated Year
  3. Section 3: Dearming Other Worlds
    1. Mermaid Party: A Celebration of Fernand Pierre
    2. Bajan Mermaid
    3. Sea Dragon
    4. Baliwood
    5. Gone Fishing
  4. Section 4: The Story We Sew
    1. Untitled 1
    2. Untitled 2
    3. Untitled 3
    4. The Story We Sew: Community Quilt
  5. Videos

Harriet Tubman

Artist:

Vera P. Hall


Dimensions:

photo replica



Materials:

Cotton with embellishments in cotton and metallic threads



Techniques /Style:

machine foundation pieced



Quilt Story


Kim F. Hall: When working on the We, Too, Sing America quilt, Vera became inspired by the story of Harriet Tubman who, in 13 years, led 70 friends and family from Maryland to freedom: others made their own way to freedom using her instructions. Tubman carried a gun to protect against slave catchers, but also to urge on the faint-hearted who might have turned back and endangered the group. Starting with the cover from a Dover Famous African-American Women coloring book, Vera created a new background using cotton fabrics and added details like the owl and a star that represents the North Star, which guided Tubman's dangerous night journeys.


We Didn't Wait for Freedom is a series of Black History quilts that challenge the idea that enslaved Black people passively waited to be emancipated by the US North. Vera uses her skills as an educator and teacher to translate what she learns from historians, books, museums, and historic sites into visual stories about enslavement and freedom. The series began in 2007 when Vera won Civil War themed blocks during a guild meeting and decided to use them to help teach largely unknown histories of Black people. That quilt, We, Too, Sing America, tells a larger history of how both famous and unnamed people made their way out of enslavement. Other quilts focus on nineteenth century figures who fought for and earned their own freedom.


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